One of the greatest gifts we can give, or
receive, is the gift of joy. You will have to look hard to find any who
have ever given more joy to the world than German composer Johann Sebastian
Bach. Even now almost 250 years after he died, Bach’s music still lifts
the heart and energizes the soul.
Bach wrote his music for God. Most of his works are explicitly biblical. The
famous missionary doctor Albert Schweitzer, who was also an expert on
Bach, called him “the Fifth Evangelist.” Bach’s music is indisputably
in a league by itself.
Fine Tuning the Soul
Bach’s heavenly sounds were conceived in a life beset by earthly struggles
and trials. Born into a family of musicians, Johann learned to sing and
play several instruments at an early age. But both parents died before
he was ten. Johann got his first organist job at age 17, but even then
there were conflicts with the church leaders. They insisted that he direct
the choir — which was notably lacking in musical ability.
Already, Bach was writing innovative choral pieces, but his singers couldn’t
handle them. And he lacked the patience to put up with them. One night,
Johann even got into a street fight with one choir member, whom he had
called a “nanny-goat bassoonist.”
He moved to another church, and a new conflict. Well-meaning Pietists
were demanding simple music. Couldn’t Bach write something less ornate
— something that would draw attention to God and not to the music itself?
Bach strongly protested that his aim was to create “well-regulated
church music to the glory of God.” He took a new job with the Duke
of Weimar, a respected, religious man who appreciated good music. This
was a fertile period in Bach’s life. He fathered seven children and gave
birth to a new cantata each month.
But the relationship with the duke deteriorated. When Bach decided to
take another job, the duke had him arrested and jailed for a month.
The struggles continued. Shortly after taking the new job, his wife died,
leaving him with a house full of children. A second marriage was a happy
one, however. Anna Magdalena supported his musical work, sang his compositions
in a bold soprano, and bore him many more children.
Bach lived until age 65, always the feisty musician, fiercely dedicated
to quality, passionately creating music for the glory of God.
A Cantata a Week?!!
Bach set before himself and accomplished the seemingly impossible task of
preparing a different cantata for every Sunday for a three-year period.
And remember that he not only had to create the music, but also get it copied
for the performers, and rehearse with them.
Brahms on Bach
The great composer Johannes Brahms wrote to a friend about a composition
by Bach (the Chaconne): ” . . . the man writes a whole world of the
deepest thoughts and most powerful feelings. If I could picture myself
writing, or even conceiving, such a piece I am sure that the extreme excitement
and emotional tension would have driven me mad.’
Pablo Casals on Bach
The noted cellist and composer Pablo Casals commented in his early 90’s:
“For the past eighty years I have started each day in the same manner.
It is not a mechanical routine but something essential to my daily life.
I go to the piano, and I play two preludes and fugues of Bach. I cannot
think of doing otherwise. It is a sort of benediction on the house. But
that is not its only meaning for me. It is a rediscovery of the world
of which I have the joy of being a part. It fills me with awareness of
the wonder of life, with the feeling of the incredible marvel of being
a human being. The music is never the same for me, never. Each day it
is something new, fantastic and unbelievable. That is Bach, like nature,
The winner is . . .
There are more recordings of Bach’s music than that of any other composer.
One count found over 1000 different albums.
J.J. . . . . . . . . . . .S.D.G.
Neither Bach nor his contemporaries had any idea that his music would
grace the ages. He wrote for his time. Indeed he was obscure for a century
after his death until he was rediscovered by Felix Mendelssohn. Thus many
of his compositions were lost – no one knows how many. But on those that
do survive there is the interesting insertion in Bach’s own hand of the
letters J.J. at the beginning of each and S.D.G. at the end. They are
abbreviations for the Latin, Jesu Juva (Jesus Help Me!) and Soli Deo Gloria
( To the Glory of God Alone!).
The Mediocre One